Improv

Ready to Rumble

Perhaps this is a little known fact, but I used to be a huge WWFWWE fan back in the late 90s/early 00s. When I was in university, a close friend used to call it "a soap opera for guys... and Nancy." I saw Monday Night Raw live from 5th row. I've been to Smack Down and I was also at the sold out Wrestlamania X8 in Toronto. In fact, one of the things that attracted me to roller derby in the first place was the direct correlation I could make between it and wrestling - costumes, crazy names, athleticism & showmanship just to name a few. I have a very Abed-like mentality when it comes to knowledge of that particular period in wrestling history. Recently, I wowed a bunch of Centennial College students on a film shoot when I heard one of them call another "Scotty too Hotty." It kind of went something like this:

ME - Oh, that's funny. Like the wrestler.

*blank stares*

ME - You know, Scotty 2 Hotty? Former WWE Tag-Team Champion?

Seriously. Who could ever forget this face?

*more blank stares*

ME - You know, with his partner, Grandmaster Sexay? Together they were known as "Too Cool"? (Bonus points if you knew that Sexay's father is Jerry "The King" Lawler.)

Somehow, this powerful knowledge base suddenly made me very popular with young men in their early twenties while on set... but I digress.

The reason I'm bringing this up now is two-fold.

improbables

For one, this coming Friday at the Tranzac (292 Brunswick Ave in Toronto), my French improv team, Les Improbables, will be taking part in our first ever Royal Rumble! Now, I'm pretty sure this means we will beat the crap out of each other using improvised objects until only one person survives the night, but I may be wrong. My weapon of choice will, of course, be the chair. Anyway, whatever happens, it will definitely be a good night and you should come out and join us.

Now, while this blog and website often revolves around my acting/performance career, it also includes a lot of information about my other passion, arts marketing. Which brings me to reason number two to talk about wrestling: this awesome post on audience development for the brilliant mind over at the Mission Paradox blog. The subject? Well the title really says it all - A case study in audience building and steel cages. Click on the link for a really great read.

I leave you now with Mr 2 Hotty's finishing move for your viewing pleasure.

 

For probable

I've talked about Improv in these pages before. And I'm pretty sure I've talked about my desire to work more in French here too.  So imagine my surprise and delight when a friend sent me a link to some FREE French Improv classes in Toronto (they had me at "free" and it is ongoing if you're interested in participating). I went once and had a lovely time with a large group of civil servants, lawyers, teachers, ect but very few actors.  It was a lot of fun, but I didn't find it all that challenging.  At the end of the session, I asked the instructor if there was maybe something a bit more advanced that I could attend.  He told me my timing was perfect since a group of people have just gotten together to form the very first French Improv League in Toronto - Les Improbables. Long story short, I went, got accepted into the league and was even named, in the style of hockey-improv everywhere, assistant captain. (Side note for all my anglophone friends French Improv is very different from English Improv and I've written more about it here.) I can't tell you how much I needed this. I don't know why I never took improv more seriously in Ottawa. Possibly because the English teams in Ottawa intimidate me.  As for Francophones in the Outaouais region, they just  intimidate me in general - like they'll think I'm a  fraud or something because I'm an Acadian and not Québecois.

But here in this Toronto mecca of English, we are all outcasts and I find it easier to fit in.  The French comes from all over too.  We've got three Acadians, a bunch Quebecois, and a lot of people from France and the rest of Europe. It's quite beautiful, really, to hear us all speak in our different accents and I'm learning a lot of new words too... including the proper French term for "dildo" - "godemiché" if you're curious (it's improv, of course that came up - ba dum dum!)

We even had a pretty sweet article written about us in L'Express that came with a great photo gallery as well.

And now, after a few weeks of practice, we've got our first game coming up on Tuesday, March 6 at the Fox and the Fiddle - 27 Wellesley E - right across from the Wellesley Subway Station.  My team will not be playing that night, but I will be MC'ing the event.  It's been a lot of fun so far and everyone is super excited.  The room is great and Tuesday nights mean $5.50 beers and martinis at the FnF!

Oh and if you are curious, my team will be playing two weeks later on March 20th.

Here's the link to our Facebook event. It says 7 p.m. but I'm pretty sure the match actually starts at 8 p.m.

J'espère que vous vous joindrez à nous en grand nombre!

***************************************************************

Une ligue d'improvisation théâtrale en français à Toronto? Oh que oui.

Les Improbables vous invitent à leur tout premier match: un retour au jeu pour certains, un baptême pour d'autres et une première pour bon nombre de spectateurs!

Deux équipes, pour votre plus grand plaisir, devront faire avec les contraintes de l'arbitre et vous offrirons des sketchs, des situations et des personnages plus colorés les uns que les autres.

C'est aussi une occasion de se réunir entre francophones et francophiles torontois: la pinte de Creemore et les Martinis sont à 5,50$! :)

Le mardi 6 mars 2012 à 19h Au 3e étage du Fox and Fiddle du 27 Wellesley Est (Au coin de Yonge, en face du métro Wellesley) Les Improbables vous présentent leur tout premier match! En échange d'un beau billet de 5 dollars.

Arbitre: Guillaume Touzel-Bond Juge de ligne: Heather Wong

Les équipes sélectionnées par Sonia D'Amico et Barbara-Audrey Bergeron auront donc l'honneur d'inaugurer cette toute première saison! S'affronteront donc:

(C) Sonia D'Amico (A) Mathieu St-Laurent Aurélia Peynet Laurent Balenci Madjiguene Diallo (+ Catherine Berthiaume et Edgar Aguilar Cardona)

vs

(C) Barbara-Audrey Bergeron (A) Georges Raymond Alban Ferrieu Renée-Claude Thériault Yannick Ariel Bihan Torres (+ Marion Bonafos et Léticia)

Donc on se voit le 6 mars 19h! :)

So You Think You're Funny?

After a terrible drive through construction, past accidents and the Toronto rush hour parking lot, that took 8 hours instead of the usual 6 and a half, I finally made it to London late enough to miss the first evening performance of The Big Comedy Go-To by Jimmy Hogg. The second show of the evening was The Canuck Cabaret with Paul Hutcheson and Sharon Nowlan. Now, I’ve spoken of my love for Paul before. He’s an amazing storyteller and an incredibly charming performer. He’s also one of the funniest people I’ve ever seen, so I was excited for this new bit. I had never met Sharon before but chatting with her at the bar afterward we had one of those “How have we never met before since we know so many of the same people” kind of conversations.

The show really did not disappoint. It was exactly what it said it would be: a cabaret filled with musical numbers, stories, dance, and even an incredibly brilliant and moving light show by Sharon. If someone saw the show and knows what those things she was using are called, please let me know below!

My only critique is that I would like to have seen them do more bits together. They started off strong with a hilarious opening musical number; Paul told new stories similar to what he does in his one man shows; Sharon did an amazing silent piece with a doll on her shoulder and her right arm as they danced and flirted together to some Sinatra (you really have to see this to believe it, I can't describe it well enough - it was incredible!); some individual stories about Canada; light show; and Paul closed everything on a 3 minute reenactment of Dirty Dancing that made me want to go watch the movie. Though funny the movie bit felt kind of anti-climactic. Perhaps a closing number together would tie things up nicely?

After that, we headed to the Black Shire Pub for THE BIG ONE! A stand-up cabaret where most of this weekend’s performers were going to be participating. I grabbed myself a good seat near the front and I was thrilled when I realized the first person up would be ELVIS! And he threw another scarf at MEEEEEEEEE!!! OMG! OMG! OMG! SQUEEEEEEEEEEEEEEEEE!

*ahem*

I’m sorry. Where was I?

Oh yeah, the stand-up.

Throughout the evening, many of the performers asked why I wasn’t participating. To be honest, I didn’t really see myself in the same league as these people. Most of them have toured extensively with their own material and regularly do things like stand-up, improv and sketch. Me? I feel like I’m just a novice. And I’ve only recently begun to feel, after seeing the crowd at the Airport Security screening bust a gut at my on-screen antics, that I am even that funny.

But watching my friend Cristel Bartelse up there bravely testing out some hilarious new material from her upcoming Fringe show (coming to a London Fringe near you!) did a little voice inside my head go: “Hey. I can do that.”

Maybe it was the beer talking. It could very well have been the beer talking, but watching performer after performer go up there, the voice got louder. Suddenly, I started getting this nagging feeling that I HAD to go up there. If I didn’t, I would regret it. Maybe not today, maybe not tomorrow, but someday. Soon. And for the rest of my life. I turned to Christel and spoke out loud: “I have to go up there.” Her smile was wide and encouraging. “Do it!”

I walked over to producer Jayson McDonald. I had no idea what I was doing. I had no material planned but still I asked: “Do you have room?” He sent me over to the host with an urgent “If you want to do it, do it now.”

The host, Kristian Reimer looked amused by my request. I still didn’t know what I was going to say. Then I caught the current performer talking about vampires and the Twillight phenomenon. Bingo! I had my opening bit. “I have to go up now.” Ian MacIntyre from Approximately 3 Peters was wrapping up his set. “Ok,” Kristian said, “you’re up.”

I think I threw up in my mouth a little.

I was announced, there was music, I made my way up to the stage and set my beer down on a stool like every professional comic I’d ever seen.

Taking my cue from the previous set, I started: “I think vampire slaying would be a very difficult career move.”

There’s a chuckle. I’m awkward but in a completely adorkable way.

“I mean, I don’t know if you’ve ever tried to stab someone in the chest before…”

Guffaw!

Guffaw, really? Someone guffawed? And I was off!

I talked some more vampire slaying and Dustbusters and ideal careers and Princess Leia and my new found obsession with the King. It was surprisingly easy to flow from topic to topic. It was like writing a blog post, but out loud.

I finished on a good note. People clapped and some more funny people took to the stage, bringing down the house. It was a grand evening. I got a lot of really great comments and feedback throughout the night from people I absolutely adore and respect. For my first attempt at any kind of stand-up, it was not bad. Not bad at all.

Today’s the last day of the festival (already?) and I’m now off to enjoy as much as I can. There’s still time for you to check out a free panel discussion with some of the performers, a show by Uncalled For (my former billets who won Best Ensemble with this one at the Ottawa Fringe), a sketch comedy triple bill, an improve triple bill and finally an IMPROV CAGE MATCH!

For all the details, check out The Big Comedy Go-To website.

Can You Keep A Secret?

Apparently, some people think a girl with a blog and an unhealthy addiction to her iPhone social media programs is the best person to entrust with the most TOP SECRET news in Ottawa Theatredom. Yes, ladies and gentlemen, somewhere among the hanging out on movies sets (with Cuba Gooding Jr!), working at the Great Canadian Theatre Company (season launch on Monday!), learning to rap Shakespeare, making women feel beautiful, discovering hidden abilities to translate small documents from English to French, watching some "bloody" good theatre (check out a solid production of Blood Relations at the University of Ottawa before it closes this weekend, as well as the musical Blood Brothers at The Gladstone), working on my own theatre company's project, performing improv with some lovely ladies, and training for a 5K race; somewhere among all that, I became the new anglophone publicist for the upcoming Les Prix Rideau Awards.

(Of course, all of this must have happened after I discovered that necklace from Harry Potter that allows Hermione to attend to classes at the same time, because there is nothing short of wizardry to explain how I manage to do all this stuff...)

After learning that Über Publicist, Crystal Parsons would be leaving the wonderful world of theatre promotion for the civil service, I was approached by the awards committee to see if I could fill her sexy shoes.

My first answer, of course, was no. Re: see above schedule & need for a clone/develop magical powers.

However, after much discussion, I eventually said yes for the following reasons:

  • The workload isn't as excessive as I first anticipated.  There is no need for me to translate documents for these bilingual awards, since there already is a francophone publicist, and I'd be doing a lot of stuff from a social media perspective that I'm doing already.
  • This could all wait until I was done my stand-in gig.
  • Being able to say that I'm the publicist for Ottawa's professional theatre awards is a pretty big deal and adds another notch of legitimacy to my marketing belt.
  • With the GCTC holding a whopping 16 nominations, I can make a lot of what I'll be doing relevant to the day job.
  • I think the awards are important and I want to support them in some way.  This is more than just a big party where people dress up to watch somebody get an award.  By recognizing the contribution of theatre professionals in the community, we are raising awareness of our work and acknowledging that there is a a place what we do here in town.  My dream? That one day, when I tell someone I am a professional actor, they will not ask me when I will be moving to Montreal or Toronto because it will simply be common knowledge that such a scene exists here as well.

All that to say that I will now be only one of three people to know the award winner's identities before they are revealed on April 18th because I need to have the press release handy for media as soon as the ceremony is over.  (Note to self: find dress that coordinates well with handcuffs and a briefcase *insert your own joke here*)  And this confidentiality agreement I signed says that no amount of bribing can make me reveal the secrets before then.

But have no fear!  You too may know the results as soon as they become available.  Tickets are on sale now!  Details below (this also reminds me that I will be performing in my first public Sanitas Playback Theatre show that night as well... where the heck is my clone?):

The 3rd Annual Les Prix Rideau Awards celebration is taking place at De La Salle High School (501 Old St Patrick Road, Ottawa) on Sunday, April 18, 2010.  The first-ever fully bilingual awards ceremony will be cohosted by CBC Ottawa’s Alan Neal and not-from-CBC-Ottawa's Annie Lefebvre, with theatrical reflections by Sanitas Playback Theatre and music by DJ AL Connors.

Tickets are $25 each and may be purchased through the Nouvelle Scène box office:

  • online at nouvellescene.com
  • by telephone at 613-241-2727 ext 1
  • in person at 333 King Edward Avenue, Ottawa

Les Prix Rideau Awards III -- Sunday, April 18, 2010 De La Salle High School, 501 Old St Patrick Road, Ottawa Doors open at 6:30 PM; presentation begins at 7:30 PM - Tickets: $25

Having My Cake

In the feast or famine world of the arts, I've now parked myself in front of the buffet table. You're already aware of my stand-in work and I've mentioned the Improv (check out my next turn at a special "Ladies Night" Tuesday Make 'em Ups with Crush Improv) and Playback stuff before. Maybe you even knew about my stint with the Cube Salon? Well, things just keep getting better and better. I am proud to finally announce three other wicked awesome gigs that have come my way. First, Evolution Theatre has commissioned a translation of a Québecois play and I will be participating in a workshop and, later on, a public reading of the piece. This is a very exciting undertaking for us as a company on so many levels and I look forward to sharing more information with you about this very soon! Second, next weekend I start rehearsals with A Company of Fools for Shakespeare's Interactive Circus. This production will be toured in schools around Ottawa and Montreal during the last week of April and the first week of May. And thirdly (though hopefully not finally), after much perspiration, I have been officially cast in a production entitled The Amorous Ambassador which will be presented at the Upper Canada Playhouse in Morrisburg this June. This incredible show will also mark my first steps into the Canadian Actor's Equity Association. All I can say is that it's about damn time.

For once in my life, my performer dance card is full for the next four to five months. I'm so happy I'm practically crying. To top things off, I'm still working full-time at the GCTC. Yesterday, I had a brilliant chat with my boss about my schedule and somehow we can make it all work. As I left her office, she had a big grin on her face and said: "See. You can have your cake and eat it too."

I don't know how I'm doing it. I'm pulling 75 to 80 hour work weeks at the moment, but everything gets done, I still manage to see plays, socialize a bit with friends, feed the cat, and keep a somewhat clean home. then again, hasn't my schedule always been like that? The only difference this time around is that I'm getting paid for every minute of it. I wouldn't have it any other way.

Check out my Upcoming Appearances page for frequent updates!

Kicking It, Improv Style

Wikipedia: Improvisation is the practice of acting, singing, talking and reacting, of making and creating, in the moment and in response to the stimulus of one's immediate environment and inner feelings. Sounds a lot like what an actor does, doesn't it?

I've never considered myself an improviser. I did play improv games in high school, but I went to a French school and improvisation in French is very different from its English counterpart. Whereas most anglophones might associate improv with its Who's Line Is It Anyway? type of humour, for francophones the games take place in a mock hockey arena setting. There is a referee and the teams wear jerseys in various colours. The ref can even assign penalties. Two teams compete and the audience votes after every game (or match) to see which team scored a point. These usually culminate into tournaments and eliminations rounds and all other kinds of sports related analogies.

Here's a photo from la Ligue nationale d'improvisation to give you some idea of what I am talking about. If you want to know more and understand French, I encourage you to check out the link.

Although the University of Ottawa did (and does) have a French improv team, I was too intimidated to join at the time. At some point, some of my friends in the Theatre Department and a couple rats who hung around the Café Alternatif (which at the time was a hippy chic amalgamation of found furniture that lived up to its alternative name) decided to start an improv troupe. I think we called ourselves the Improv Dogs. We met every week, played some games against the team at Carleton University and even went to Montreal one time to compete. After a while though, things fell apart and we all went our separate ways.

I then didn't do any sort of improv until I took a jam class with Ken Godmere at the Ottawa School of Speech and Drama a few years ago. And I guess you could call the work I do with Sanitas Playback Theatre a type of improv, but, like I said, I never considered myself an improviser before.

After last night though, I guess I may be allowed to start calling myself that.

The local (and awesome!) Crush Improv - whom I've talked about before - have had a habit of bringing together improvisers from all over for a variety of events. First it was the very popular Improv Awareness and now it's the Tuesday Make-’em-ups with Crush Improv. I saw the very first Make-'em up in January and immediately approached Crush for an opportunity to play.

Fighting panic and nausea, I finally got my chance to play last night at the Cajun Attic in Ottawa. Most improv teams spend hours rehearsing together, learning both games and how to work with each other. The neat thing about the Make-'em ups is that you get thrown into a pit with three other people you might have never met before and told to just have fun. Easy right?

I was pretty unsteady for the first half of the show, just trying to get my bearings and desperately listen to my teammates. After intermission though, I felt slightly more comfortable, confident and took more chances, though I couldn't help but walk off stage and think of all the HI-larious stuff I should have said at the time - I swear I am ridiculously funny when no one is watching me!

I had fun and hope that this was just the first of many improv shows in which I will be taking part. Next Tuesday, do yourself the favour of having a ridiculously good time with the gang from Crush. Only $5 cover and all the improv you can stand!

Tuesday Make-’em-ups with Crush Improv - every Tuesday at 7:30 p.m. - $5 cover – Cajun Attic (349 Dalhousie St.)

May Day Improv

I have the utmost respect for people who do improv. You're up there, in front of a (hopefully) large crowd of drunkards who want you to do something funny and you have nothing to fall back on. No script, no planned rehearsals. Just you, your wits, and the support of your teammates (who may or may not be the drunkards themselves) . It's a scary feeling and when/if you bomb, it can hurt. But when it is done well? Man, is the victory ever sweet. Lately, the Ottawa Improv Scene has truly been blossoming thanks to a variety of Improv Awareness events brought about by the fine folks at Crush Improv. And they're not done yet!

This coming Friday, May 1st, at 8:30 p.m., they will be hosting the first of many improv events at GoGo’s in the Byward Market (349 Dalhousie St.). Crush Improv hits the stage in what "promises to be the next great comedy venue in Ottawa" (here's hoping!) for a show scheduled to take place every second Friday. Since it's improv, it will be a different show EVERY TIME, so you better attend them all to make sure you don't miss anything! Oh and it's an all ages event. Just be sure to bring some i.d.

I look forward to seeing you at the May Day event!

Big Comedy Go-To - Part 2

As I mentioned in my previous post, I was in London (ON) during the Big Comedy Go-To. When I mentioned Chris Gibbs' show, The Power of Ignorance, I forgot to say that I didn't know what I had just watched... if you've seen this production, you know that this is a very funny compliment. Although it's not that funny now that I have to explain it...

Saturday started out with a decent production of Morris Panych's 7 Stories by London's Passionfool Theatre. Many of the festival shows were taking place in front of the 7 Stories set at The ARTS Project. It was nice to finally see how it was being used.

Highlight number one on Saturday was a panel discussion with 7 or 8 of the festival performers, which was moderated by producer Jayson McDonald (who deserves a big pat on the back and maybe a beer for putting this whole thing together). The panel was great because it revealed to me that people whom I consider to be incredibly amazing and talented performers are still scared shitless and think all their work is going to suck. So I guess you never get over that, huh? Damn.

Highlight number two occurred when The Circus came to town. Yes, a real circus with a clown (only Morro, rhymes with sorrow, made it out in one of the bravest and most endearing pieces of theatre I've seen in years) and juggler and the magic of Siegfried and Roy in their comeback special. Seriously, I can't believe someone would want to miss this!

Even Elvis made it out to the festival and he's dead. What's your excuse? Elvis was my highlight number three. And I'm not just saying that because I got a scarf with his sweat on it either.

I followed that up with some more improv (and my previous comment still stands) and a solid night of stand-up comedy from many of the performers. Basically, if I liked your show, I also liked your stand-up routine.

Wow, and the festivities weren't even over yet.

On Sunday, I was exhausted but saw my friend's show, He Ain't Heavy in the afternoon. This was a great new work that had one of the biggest houses at the festival. For those of you who missed it, I believe they are remounting it for the London Fringe Festival in June, which I am annoyed to say overlaps with the Ottawa Fringe Festival.

Then I stuck around for Paul Hutcheson's, Third Time Lucky. Apparently, Paul (or M. Hutcheson if you're nasty), who's shows tend to be quite explicit had promised his parents he wouldn't perform in London again in order to avoid "embarrassing" them with his material. However, he couldn't pass up the chance to participate in the festival so they came up with a compromise: a nice clean show. Paul is a giant manic ball of energy who does not fail to entertain. He reminds me of a dirrty muppet (yes, two Rs). I could watch him read the phone book (note to Paul if you're reading this, maybe I found the concept for your next show - I'm sure it would please your folks). Fortunately, I won't have to though as he is bringing his piece On Second Thought to the Ottawa Fringe.

Ah but it wasn't all good. I saw some absolutely terrible sketch comedy too. Feel blessed you will never have to know the meaning of Cake Farts.

Everything did end on a high note, however, with some really good sketch comedy thanks to Fully Insured (who really should update their website) and The Cody Rivers Show. I had seen Fully before in late December, but this time was even better than before. Perhaps it has something to do with their opening act. I can't even begin to describe Cody Rivers. It was like nothing I had ever seen before, but I know that if I get the chance, I will see it again.

So there you have it folks: my recap of the first annual Big Comedy Go-To. It was impossible to see absolutely everything, but I sure tried. This whole thing was an amazing, quality experience and I look forward to seeing it around for many years to come.

A Pre-Fringe Experience

I'm currently in London (ON) smack dab in the middle of the Big Comedy Go-To, a brand spanking new festival that includes sketch, stand-up, improv, theatre and musical comedy on the menu at three different venues over the weekend. Though I'm primarily here to support a friend, it's an awesome opportunity for me to mix and mingle with plenty of talented artists who often make the rounds of the Fringe Festival Circuit. A full-festival pass is ridiculously cheap ($50) and allows me to see everything... and so far I pretty much have. The festivities began on Thursday night with Jimmy Hogg's Like A Virgin, a new piece which he plans to tour this summer... so new that this was in fact his first public performance. I drove into town about 15 minutes prior to curtain. I didn't think I would make it, but I am definitely glad I did. Jimmy is an incredibly hilarious and charismatic performer. He had a small but very appreciative crowd, as you can see from this review. For those of you in Southern Ontario, I highly recommend you make the trek down to the newly renovated Arts Project on Sunday at 6 p.m. To all my Ottawa friends, have no fear! You will get your chance to see Jimmy at the Ottawa Fringe Festival this June. I know I'm really looking forward to seeing it again once it's had some time to develop.

A real stand-out performance for me came shortly after with Nile Seguin's Fear of a Brown Planet at the Black Shire Pub. This guy was amazing (and he's from Ottawa). His show is a bit of a long form stand-up routine, which can often be hit or miss. However, Nile delivers a smart and witty performance that made the hour just fly by. Every joke was solid and when he was done, I still wanted more. If you ever hear that this guy is doing a show in your area, drop whatever you are doing and go see it. You will not regret it. He is also doing a show on Sunday at 6 p.m.

That said, not everything is amazing. I saw some improv which was just alright. Improv is such a tricky art form. It is really difficult to do well and I have the utmost respect for those who attempt it. I found the main problem with what I saw was that people often didn't know when to just end the scene and so they'd just keep going once the joke had peaked or they'd just go for the tried and true guy on guy action, because gay-ness is funny. Then again, if I see it done again tonight, who knows, it will be completely different and may be the best thing I see all weekend... That's the beauty of improv and theatre festivals in general: you never know what you're going to get.

So that was Thursday. On Friday, I caught The Power of Ignorance by Chris Gibbs and TJ Dawe. The show was great but I was completely distracted in the venue by people coming in and out, chairs being moved around in the room above us, and staff coming by our table to take food and drink orders (um, no I'm not hungry I'm watching a play!). The turn out for this show was also incredibly low (in fact, I heard the show that came before, Who's Afraid of Tippi Seagram? had to be canceled due to nobody showing up) which was unfortunate. Really low numbers, meaning four, for Rob Salerno's Fucking Stephen Harper too. I don't know if this had something to do with the hockey playoffs or perhaps a general lack of awareness of the Big Comedy Go-To (unless you're on Facebook, it's hard to find an online schedule). Things picked up for the London favorite, The Boneyard Man though.

I've got to head out and see more shows today, but I will leave you with the schedule in case you're in the area. Come and support your local artists. They're doing some really good stuff! I'll post more later on if I manage to find another internet connection.

SATURDAY, APRIL 18, 2009

ARTS PROJECT 2PM Passionfool: 7 Stories 90m $18 4PM Panel Discussion FREE 6PM The Circus Show (Siegfried & Roy - The Comeback/Morro's Sorrow/Steve Seguin) 75m $15 8PM Passionfool: 7 Stories 90m $18

LONDON MUSIC CLUB 6PM Rob Salerno: Fucking Harper 35m $8 6PM Chris Gibbs: Power Ignorance 75m $10 7PM Theatre Nemesis: Which is Better? 45m $8 7.30PM Who’s Afraid of Tippi Seagram? 60m $10 8.30PM Prop Knucks/Project G-Force/ Approximately 3 Peters 90m $15 8.30PM Matt Martin: King Alive/Sexual Tyrannosaurus/You Are Awesome 90m $10

BLACK SHIRE 7.30PM STAND-UP: Your Tax Dollars at Play 90m $10 10PM STAND-UP: The Big One 120m $15

SUNDAY, APRIL 19, 2009

ARTS PROJECT

2PM Josh Cottrell and Aaron Youell: He Ain’t Heavy 60m $10 4PM Paul Hutcheson: Third Time Lucky 60m $10 6PM Jimmy Hogg: Like A Virgin 60m $10 8PM Alex Eddington: Tired Cliches 60m $10

LONDON MUSIC CLUB 6PM Four Lb. Beauty Pucks/Good Game 60m $10 7.30PM Cody Rivers/Fully Insured 90m $15

BLACK SHIRE 6PM Nile Seguin: Fear of a Brown Planet 60m $10 7.30PM STAND-UP: Open Mic 60m PWYC 10.30PM CLOSING NIGHT PARTY!