Winning!

Well, the fifth annual Prix Rideau Awards celebration has come and gone and I am pretty thrilled with the results, even if I do say so myself. Roller Derby Saved My Soul walked away with the Outstanding Fringe Production Award and I couldn't be happier.  After a wonderful matinee of Mary Magdalene and Adventures in Sobriety, I quickly ran out to get my hair and makeup done, got dressed and rushed over to the Shenkman Centre where some people had trouble recognizing me when I'm not in my hobo gear.

It really was a perfect evening. A huge thank you to the awards' organizing committee, as well as the fabulous Jes Lacasse who dressed both myself and my director, Tania Levy.

Oh! And for those of you who've been asking when you might actually get the chance to see Roller Derby Saved My Soul? Stay tuned!

**********************************************

FIFTH ANNUAL PRIX RIDEAU AWARDS WINNERS ANNOUNCED

For immediate release

Ottawa, April 23, 2012 - Founded in 2006 to celebrate, encourage and promote French and English locally produced professional

theatre work and its artists, the Prix Rideau Awards is proud to announce the winners for the year 2011.

In 2011, 36 English productions and 12 French productions were juried by two teams of local arts professionals. Nominations were submitted by secret ballot and tallied by independent accountants. A total of 19 awards were presented Sunday, April 22nd, during the Prix Rideau Awards Gala, at the Shenkman Centre for the Arts, in Orleans.

The winners for English-language productions are:

Outstanding Production

Twelfth Night, St. Lawrence Shakespeare Festival Outstanding Direction

Joël Beddows, The Lavender Railroad, Evolution Theatre Outstanding Performance, Female

Beverley Wolfe, The Lavender Railroad, Evolution Theatre Outstanding Performance, Male

Andy Massingham, Exit the King, Third Wall Theatre

Outstanding Design

Martin Conboy, Lighting Design, The Shadow Cutter, Great Canadian Theatre Company / Sleeping Dog Theatre

Ivo Valentik, Set Design, Speed-the-Plow, Plosive Productions Outstanding New Creation

Julie Le Gal, Andy Massingham and Kevin Orr, Bifurcate Me, Theatre 4.669 Outstanding Adaptation / Translation

David S. Craig (Adaptation), The Fan, Odyssey Theatre Outstanding Fringe Production

Roller Derby Saved My Soul, Broken Turtle Productions

Emerging Artist Award

Katie Bunting, ActorThe winners for French-language productions are:

Production de l'année

Frères d’hiver, Théâtre la Catapulte Mise en scène de l'année

Joël Beddows, Frères d’hiver, Théâtre la Catapulte Interprétation féminine de l'année

Micheline Marin, Taram, Théâtre du Trillium Interprétation masculine de l'année

Richard Bénard, Les Étoiles d’Angus, Théâtre de l’Île

Conception de l'année

Guillaume Houët, éclairages, Frères d’hiver, Théâtre la Catapulte Pierre-Luc Clément et Olivier Fairfield, environnement sonore, Taram, Théâtre du Trillium

Nouvelle création de l'année

Michel Ouellette, adapté par Joël Beddows et Marie Claude Dicaire, Frères d’hiver, Théâtre la Catapulte

Prix artiste en émergence

Marjolaine Beauchamp, dramaturgie

Derrière le Rideau Award

Mathieu Charette, régie, Feu la mère de madame et Un bain de ménage, Théâtre de l’Île

I'm Going to Need a New Dress

Last night, the nominees for the 5th Annual Les Prix Rideau Awards were announced and I couldn't be happier. My little Roller Derby Saved My Soul received FOUR nominations!  They are Outstanding Fringe Production, Outstanding New Creation, Emerging Artist for myself as playwright and Emerging Artist for my director, Tania Levy.  This is all for the production that took place at the Ottawa Fringe Festival this past June. I'm also really pleased that Evolution Theatre walked away with a whopping SEVEN nominations and that my director for the upcoming Mary Magdalene and Adventures in Sobriety, Andy Massingham is so well recognized.

To tell you the truth, I kind of expected the Fringe nod and I had hoped that Tania or I would get the Emerging artist nomination, but I never thought that both of us would, nor did I even expect the New Creation one.  I mean fer cryin out loud, I'm now nominated in the same category as PIERRE BRAULT. That, to me, is just unbelievable.

Maybe four or five years ago, I remember wanting to do a one-person show. I had a theme. Something about roller derby. That was about it.  I had no idea where to even begin, so I contacted the one person I knew who might.

"Hi Pierre, do you ever give workshops on creating a one-person show?"

"Not really, but if you have an idea you want to work on, we can meet for drinks and talk about it."

Now, at the time, I wasn't the NancyKennyRockStar you all know and love. More like NancyKennyRoadie. So contacting the man who created a show that blew me away so much I actually went back and paid for it twice was no small feat. And just like that we were going to have drinks? (Lesson learned: you can pretty much meet any local artist you want if you buy them drinks and maybe lunch... well, at least you can with me #hobokenny)

I still remember the very first thing he said to me when we met.

"Why? Why do you want to do this? Do you really feel the need to sleep on someone's couch in Saskatoon?"

Yes. Yes, I do.

We talked for about four pints and the rest, as they say, is history.

Pierre's advice was a big help in pushing me in the right direction for what was to become Roller Derby Saved My Soul so to even be nominated in this category with him? Whoa.

So much thanks to you, Pierre, my friend and colleague. As they say, it's an honour just to be nominated, but this one feels just a little bit sweeter.

Full list of nominees below:

NOMINEES ANNOUNCED FOR THE FIFTH ANNUAL PRIX RIDEAU AWARDS

For Immediate Release - Ottawa, February 27, 2012

Founded in 2006 to celebrate, encourage and promote French and English locally produced professional theatre work and its artists, the Prix Rideau Awards is proud to announce the nominees for 2011.  Artists and supporters gathered earlier at Le Petit Chicago, where the nominees for outstanding achievements in the year 2011 were unveiled.  During the 2011 calendar year, two teams of local arts professionals juried 36 English productions and 12 French productions. Nominations were submitted by secret ballot and tallied by independent accountants.

The Prix Rideau Awards will be handed out on Sunday, April 22, 2012, at the Shenkman Arts Centre, in Orleans.  Tickets are on sale now at www.shenkmanarts.ca.

The nominees for English-language productions are:

Outstanding Production

Strawberries in January, Great Canadian Theatre Company

The 39 Steps, SevenThirty Productions

The Fan, Odyssey Theatre

Twelfth Night, St. Lawrence Shakespeare Festival

Under Milk Wood, Ottawa Theatre School

Outstanding Direction

Joël Beddows, The Lavender Railroad, Evolution Theatre

David S. Craig, The Fan, Odyssey Theatre

Janet Irwin, Under Milk Wood, Ottawa Theatre School

Kevin Orr, Bifurcate Me, Theatre 4.669

Craig Walker, Twelfth Night, St. Lawrence Shakespeare Festival

Outstanding Performance, Female

Mary Ellis, Dreams of Whales, New Theatre of Ottawa

Annie Lefebvre, Under Milk Wood, Ottawa Theatre School

Rose Napoli, The Fan, Odyssey Theatre

Kate Smith, The 39 Steps, SevenThirty Productions

Beverley Wolfe, The Lavender Railroad, Evolution Theatre

Outstanding Performance, Male

Richard Gélinas, The 39 Steps, SevenThirty Productions

Andy Massingham, Exit the King, Third Wall Theatre

Andy Massingham, The Fan, Odyssey Theatre

Andy Massingham, The Shadow Cutter, Great Canadian Theatre Company / Sleeping Dog Theatre

John Muggleton, Speed-the-Plow, Plosive Productions

Outstanding Design

Martin Conboy, Lighting Design, The Shadow Cutter, Great Canadian Theatre Company / Sleeping Dog Theatre

AL Connors, Sound Design, The Lavender Railroad, Evolution Theatre

Ivo Valentik, Set Design, Speed-the-Plow, Plosive Productions

Ivo Valentik, Set Design, A Midwinter’s Dream Tale, a Company of Fools

Sarah Waghorn, Set Design, Dreams of Whales, New Theatre of Ottawa

Outstanding New Creation

Tony Adams, Erin Lindsay and Cory Thibert, Sounds from the Turtle Shell, May Can Theatre

Lawrence Aronovitch, The Lavender Railroad, Evolution Theatre

Pierre Brault, The Shadow Cutter, Great Canadian Theatre Company / Sleeping Dog Theatre

Nancy Kenny, Roller Derby Saved My Soul, Broken Turtle Productions

Julie Le Gal, Andy Massingham and Kevin Orr, Bifurcate Me, Theatre 4.669

Outstanding Adaptation / Translation

A Company of Fools (Adaptation), A Midwinters’ Dream Tale, a Company of Fools

Henry Beissel (Adaptation), Antigone, Third Wall Theatre

David S. Craig (Adaptation), The Fan, Odyssey Theatre

Mishka Lavigne (Translation), Little Martyrs, Evolution Theatre

Charles McFarland (Adaptation), Hamlet 2011, Ottawa Shakespeare Company / Ottawa Theatre School

Outstanding Fringe Production

Glitch…, Ottawa Theatre School

Playing for Advantage, Black Sheep Theatre

Roller Derby Saved My Soul, Broken Turtle Productions

Sounds from the Turtle Shell, May Can Theatre

THE WALK, Moon Dog Theatre

Emerging Artist Award

Katie Bunting, Actor

Pierre Ducharme, Set Designer

Nancy Kenny, Playwright

Mishka Lavigne, Translator

Tania Levy, Director

The nominees for French-language productions are:

Production de l'année

Adieu Beauté, la comédie des horreurs, Théâtre Belvédère

Frères d’hiver, Théâtre la Catapulte

Les Étoiles d’Angus, Théâtre de l’Île

Taram, Théâtre du Trillium

Ti-Jean de partout, Cie Vox Théâtre

Mise en scène de l'année

Caroline Yergeau, Adieu Beauté, la comédie des horreurs, Théâtre Belvédère

Joël Beddows, Frères d’hiver, Théâtre la Catapulte

Isabelle Bélisle, Les Étoiles d’Angus, Théâtre de l’Île

Pierre Antoine Lafon Simard, Taram, Théâtre du Trillium

Pier Rodier, Ti-Jean de partout, Cie Vox Théâtre

Interprétation féminine de l'année

Geneviève Couture, Feu la mère de madame et Un bain de ménage,  Théâtre de l’Île

Jocelyne Zucco, Les Fridolinades, Théâtre la Catapulte /Théâtre français de Toronto

Lina Blais, Les Fridolinades, Théâtre la Catapulte / Théâtre français de Toronto

Marjolaine Beauchamp, Taram, Théâtre du Trillium

Micheline Marin, Taram, Théâtre du Trillium

Interprétation masculine de l'année

Nicolas Desfossés, Autopsies de biscuits chinois, Théâtre du Trillium / Théâtre Belvédère

Alain Doom, Frères d’hiver, Théâtre la Catapulte

Pierre Simpson, Frères d’hiver, Théâtre la Catapulte

Richard Bénard, Les Étoiles d’Angus, Théâtre de l’Île

John Doucet, Ti-Jean de partout, Cie Vox Théâtre

Conception de l'année

Geneviève Couture, costumes, Feu la mère de madame et Un bain de ménage, Théâtre de l’Île

Brian Smith, décor, Frères d’hiver, Théâtre la Catapulte

Guillaume Houët, éclairages, Frères d’hiver, Théâtre la Catapulte

Julie Giroux, décor, Les Papillons de nuit, Théâtre de l’Île

Pierre-Luc Clément et Olivier Fairfield, environnement sonore, Taram, Théâtre du Trillium

Nouvelle création de l'année

Annie Cloutier, Antoine Côté Legault, Marie-Pierre Proulx, Autopsies de biscuits chinois, Théâtre du Trillium / Théâtre Belvédère

Diane Bouchard, Dragon glouton, Gestes théâtre

Michel Ouellette, adapté par Joël Beddows et Marie Claude Dicaire, Frères d’hiver, Théâtre la Catapulte

Philippe Landry, Retour à Pripyat, Théâtre de Dehors

Marjolaine Beauchamp, Taram, Théâtre du Trillium

Prix artiste en émergence

Marjolaine Beauchamp, dramaturgie

Mary-Eve Fortier, interprétation

Lisa L’Heureux, direction de production

Frédérique Thérien, interpréation

Caroline Yergeau, mise en scène et interprétation

Derrière le Rideau Award

Mathieu Charette, régie, Feu la mère de madame et Un bain de ménage, Théâtre de l’Île

Julie Grethen, régie, Les Étoiles d’Angus, Théâtre de l’Île

Lisa L’Heureux, direction de production, Les Papillons de nuit, Théâtre de l’Île

For general information:               Source:

Les Prix Rideau Awards              Élise Gauthier, Communications Coordinator

C.P. 1087, Station B                   communications@prixrideauawards.ca

Ottawa (Ontario), K1P 5R1

info@prixrideauawards.ca

2010 Les Prix Rideau Awards Nominations

On Monday night, the nominations for the 4th annual Les Prix Rideau Awards were announced and I am kind of pleased that the show I was in at the Ottawa Fringe Festival (albeit for one performance only) was nominated for Outstanding Fringe Production. This was the show we also took to the Calgary Fringe Festival. I loved working on the Last Goddamned Performance Piece and I would do it again in a second if the opportunity presented itself.

The only show I didn't see among all the nominees was Turn of the Screw and with all the nominations it got, I really wish I had been able to. That's the unfortunate thing with theatre awards as opposed to film awards. When film awards are announced the movie can get a whole new life out of it, whereas with the theatre you can just be disappointed you missed it. I try to avoid that disappointment by seeing as much as possible, but there's always one or two that slip away.

Ah well! A big congratulation to all the nominees and I will see you on April 10th!

*********************************

NOMINEES ANNOUNCED FOR THE FOURTH ANNUAL PRIX RIDEAU AWARDS

For immediate release Ottawa, February 28, 2011 -

Founded in 2006 to celebrate, encourage and promote French and English locally produced professional theatre work and its artists, the Prix Rideau Awards is proud to announce the nominees for 2010.

Artists and supporters gathered earlier at the Atomic Rooster where the nominees for outstanding achievements in the year 2010 were unveiled.

During the 2010 calendar year, 41 English productions and 15 French productions were juried by two teams of local arts professionals. Nominations were submitted by secret ballot and tallied by independent accountants.

The Prix Rideau Awards will be handed out on Sunday, April 10, 2011, at La Maison du citoyen in Gatineau. Tickets are on sale now at www.prixrideauawards.ca.

The nominees for English-language productions are:

Outstanding Production Blackbird, Third Wall Theatre Facts, Great Canadian Theatre Company / New Theatre of Ottawa Heroes, Great Canadian Theatre Company Swimming in the Shallows, Arts Court Productions Turn of the Screw, Screwdriver Collective

Outstanding Direction Joël Beddows, Swimming in the Shallows, Arts Court Productions Mary Ellis, Blackbird, Third Wall Theatre Patrick Gauthier, Turn of the Screw, Screwdriver Collective Lise Ann Johnson, Heroes, Great Canadian Theatre Company Andy Massingham, Twelfth Night, Ottawa Theatre School

Outstanding Performance, Female Sarah Finn, Shadows, Queen Mab / Parry Riposte Productions Emma Hunter, They All Do It, Odyssey Theatre Catriona Leger, Someone for Everyone, NightHowl Productions Sarah McVie, Educating Rita, Arts Court Productions Kristina Watt, Blackbird, Third Wall Theatre

Outstanding Performance, Male Peter Froehlich, Heroes, Great Canadian Theatre Company Kris Joseph, Macbeth, St. Lawrence Shakespeare Festival Kris Joseph, Turn of the Screw, Screwdriver Collective John Koensgen, Blackbird, Third Wall Theatre Paul Rainville, Heroes, Great Canadian Theatre Company

Outstanding Lighting Design Lynn Cox, Swimming in the Shallows, Arts Court Productions Guillaume Houët, Blackbird, Third Wall Theatre Guillaume Houët, Turn of the Screw, Screwdriver Collective Jock Munro, The List, Great Canadian Theatre Company Jock Munro, Vimy, Great Canadian Theatre Company / NAC English Theatre

Outstanding Set Design Martin Conboy, Facts, Great Canadian Theatre Company / New Theatre of Ottawa Lynn Cox, Swimming in the Shallows, Arts Court Productions Brian Perchaluk, Vimy, Great Canadian Theatre Company / NAC English Theatre Brian Smith, Heroes, Great Canadian Theatre Company Ivo Valentik, The Danish Play, A Company of Fools

Outstanding Costume Design Judith DeBoer, Shadows, Queen Mab / Parry Riposte Productions Louise Hayden, The Danish Play, A Company of Fools Brian Perchaluk, Vimy, Great Canadian Theatre Company / NAC English Theatre Andrea Robertson, Macbeth, St. Lawrence Shakespeare Festival Sarah Waghorn, Turn of the Screw, Screwdriver Collective

Outstanding New Creation Airport Security, Gruppo Rubato Facts, Great Canadian Theatre Company / New Theatre of Ottawa Shadows, Queen Mab / Parry Riposte Productions Six: At Home, Zopyra Theatre They All Do It, Odyssey Theatre

Outstanding Adaptation A Flea in Her Ear, Seven-Thirty Productions Heroes, Great Canadian Theatre Company The Radio Show: It’s a Wonderful Life, Gladstone Productions

Outstanding Fringe Production It’s Just a Stage, Modern Geek Theatre Multinational Grape Corporations, Negative Theatre Shadows, Queen Mab / Parry Riposte Productions Six: At Home, Zopyra Theatre The Last Goddamned Performance Piece, Black Sheep Theatre

Emerging Artist Award Anna Chambers, Stage Manager Nathan Ings, Actor Cari Leslie, Actor Guy Marsan, Actor Hilary Nichol, Stage Manager

Technical / Stage Management Award Nicolas Alain, It’s Just a Stage, Modern Geek Theatre Rebecca Eamon, Macbeth and Trouble on Dibble Street, St. Lawrence Shakespeare Festival Jim Fritz, I, Pulse Theatre Collective Hilary Nichol, A Flea in Her Ear, Seven-Thirty Productions Jane Vanstone Osborn, Turn of the Screw, Screwdriver Collective

The nominees for French-language productions are:

Production de l'année À la défense des moustiques albinos, Théâtre de la Vieille 17 / Théâtre Sortie de Secours Écume, Théâtre du Trillium Gino, le dernier morceau d'amour, Théâtre Dérives Urbaines Les Médecins de Molière, Théâtre la Catapulte / Théâtre français de Toronto Sahel, Théâtre de la Vieille 17

Mise en scène de l'année Philippe Soldevila, À la défense des moustiques albinos, Théâtre de la Vieille 17 / Théâtre Sortie de Secours Daniel Mroz, Circe/Landfall Anne-Marie White, Écume, Théâtre du Trillium Magali Lemèle, Gino, le dernier morceau d'amour, Théâtre Dérives Urbaines Jean Stéphane Roy, Les Médecins de Molière, Théâtre la Catapulte / Théâtre français de Toronto

Interprétation féminine de l'année Geneviève Couture, Écume, Théâtre du Trillium Éva Daigle, À la défense des moustiques albinos, Théâtre de la Vieille 17 / Théâtre Sortie de Secours Sasha Dominique, La Cousine Germaine, Théâtre de l’Île Sophie Goulet, Les Médecins de Molière, Théâtre la Catapulte / Théâtre français de Toronto Emmanuelle Lussier-Martinez, Gino, le dernier morceau d'amour, Théâtre Dérives Urbaines

Interprétation masculine de l'année Marc-André Charette, Écume, Théâtre du Trillium Mehdi Hamdad, Afghanistan, Théâtre la Catapulte Pierre Antoine Lafon Simard, Écume, Théâtre du Trillium Jean Stéphane Roy, L'Illustre Théâtre, Théâtre de l’Île Pierre Simpson, Les Médecins de Molière, Théâtre la Catapulte / Théâtre français de Toronto

Conception de l'année - éclairages Paul Auclair, Sahel, Théâtre de la Vieille 17 Guillaume Houët, Écume, Théâtre du Trillium Guillaume Houët, Gino, le dernier morceau d'amour, Théâtre Dérives Urbaines Guillaume Houët, La Cousine Germaine, Théâtre de l’Île

Conception de l'année - décors Julie Giroux, La Cousine Germaine, Théâtre de l’Île Dominic Manca, Les Médecins de Molière, Théâtre la Catapulte / Théâtre français de Toronto Érica Schmitz, À la défense des moustiques albinos, Théâtre de la Vieille 17 / Théâtre Sortie de Secours Ivo Valentik, Afghanistan, Théâtre la Catapulte Normand Vandal, Sahel, Théâtre de la Vieille 17

Conception de l'année - costumes Geneviève Couture, Écume, Théâtre du Trillium Geneviève Couture, Sahel, Théâtre de la Vieille 17 Andrée Rainville, La pluie de bleuets, Créations In Vivo Mylène Ménard, La Cousine Germaine, Théâtre de l’Île Nina Okens, Les Médecins de Molière, Théâtre la Catapulte / Théâtre français de Toronto

Nouvelle création de l'année Afghanistan, Théâtre la Catapulte Circe/Landfall, Daniel Mroz Gino, le dernier morceau d'amour, Théâtre Dérives Urbaines

Prix artiste en émergence Mehdi Hamdad, interprétation Véronique-Marie Kaye, dramaturgie Frédérique Thérien, interprétation

-30-

Working to Distraction

Feast or Famine right? Why does that currently present itself as my only option? Let's say you are hungry and you've been hungry for a long time. Suddenly, someone comes up to you and not only offers you ONE sandwich, they offer you FIVE sandwiches. And you are so hungry that you take those five sandwiches and eat them all up because DAMMIT! You will be so full that you will NEVER BE HUNGRY AGAIN!

And then you get a tummy ache.

That's the predicament I found myself in. However, I couldn't be happier now that I've realized the best way to deal with all of this was just to just say no. I've currently turned down two work opportunities and I feel like a giant weight has been lifted off my shoulders. I was stressing about how I was going to fit everything in, I wasn't enjoying myself anymore and found my focus incredibly lacking. If I spoke to you at the Rideau Awards, I don't remember. Not because I was drunk, but because my brain was somewhere else entirely.

Do I worry that by turning something down I may not have anything else coming up? No. I don't. I feel liberated by this new decision... this new philosophy!

[youtube=http://www.youtube.com/watch?v=MUw2Zx1WjJE&feature=related]

(Ok, ok, so it's not entirely new. But we all need reminders, right? I know I need an inspiration reboot.)

I want to focus on what matters to me right now: my job at the GCTC & the performances I've got coming up. I want to write and I want to have some fun. By letting go of those time consuming projects, I can actually go to a festival in London I adored last year and reconnect with some old and inspirational friends.

So, who's ready to play?

2009 Les Prix Rideau Awards Results!

Being a publicist has it's perks. You've read it here first! Third Annual Prix Rideau Awards Winners Announced!

Winners have been announced for Ottawa's 3rd annual Prix Rideau Awards, which celebrate achievement in English and French professional theatre in Ottawa-Gatineau. The awards were presented during a celebration at L’École secondaire De La Salle on Sunday, April 18, 2010.

The winners for English-language productions are:

Outstanding Performance – Female Patricia Fagan, The Syringa Tree, Great Canadian Theatre Company Outstanding Performance – Male Paul Rainville, The Drawer Boy, Great Canadian Theatre Company

Outstanding Lighting Design Jock Munro, The Syringa Tree, Great Canadian Theatre Company

Outstanding Set Design Ivo Valentik, A Midwinter's Dream Tale, A Company of Fools/Gladstone Productions

Outstanding Costume Design Louise Hayden, A Midwinter's Dream Tale, A Company of Fools/Gladstone Productions Outstanding Stage Management / Technical Award Donna Bourgeault, A View from the Bridge, Ottawa Chamber Theatre

Outstanding Fringe Production Countries Shaped Like Stars, Mi Casa

Outstanding Director Lise Ann Johnson, The Syringa Tree, Great Canadian Theatre Company

Emerging Artist Award Emily Pearlman, Creator/Actor/Writer of Countries Shaped Like Stars, Mi Casa

Outstanding Adaptation A Midwinter's Dream Tale, A Company of Fools/Gladstone Productions

Outstanding New Creation Countries Shaped Like Stars, Mi Casa

Outstanding Production The Syringa Tree, Great Canadian Theatre Company

The winners for French-language productions are:

Interprétation féminine de l'année Geneviève Couture, L'honnête homme/un one woman show, Poésie électrique Interprétation masculine de l'année Pierre Antoine Lafon Simard, L'Illusion comique, Théâtre la Catapulte

Conception de l'année Guillaume Houët-Brisebois, Éclairages, L'honnête homme/un one woman show, Poésie électrique

Artiste en émergence Emmanuelle Lussier Martinez , Interprétation, Le bout du monde, Le Théâtre du Trillium

Prix technique / de la regie Lindsay Tremblay, Le Projet Rideau, Théâtre la Catapulte

Mise en scène de l'année Marc Lemyre, L'honnête homme/un one woman show, Poésie électrique

Adaptation de l'année Cyrano Tag, Compagnie Vox Théâtre

Nouvelle création de l'année L'honnête homme/un one woman show, Poésie électrique

Production de l'année L'honnête homme/un one woman show, Poésie électrique

Les Prix Rideau Awards celebrate achievement in professional theatre in the region of Ottawa-Gatineau. The peer-juried awards program was initiated in 2006 as a result of discussion at an open meeting of the regional Canadian Actors’ Equity Association. This year for the first time, Les Prix Rideau Awards goes fully bilingual, with a full slate of awards being presented for both English and French-language productions.

For the calendar year 2009, 40 English and 11 French professional theatre productions were juried by two teams of local arts professionals (14 English and 8 French). Nominations were submitted by secret ballot and tallied by local accountants, Chong Pelot and Marcil-Lavallée. Complete details on award definitions, terms and criteria are available at www.rideauawards.ca

Have You Got Your Tickets Yet?

The 2010-2011 Great Canadian Theatre Season is launched and it's latest production, Facts, is open and running.  All I'm really going to say about it all is that the new season looks exciting (buy your subscription before April 30th to save on the HST!) and Facts is well-worth seeing (remember, Rush Tickets go on sale as of noon the day of the performance!). Though I'm still working on a video from the launch (I hate you, Windows Movie Maker!), I'm now almost entirely consumed with thoughts of the Rideau Awards.  I've been doing a constant follow-up with media, getting a press release ready, and worrying about what to wear.  This is after all THE Ottawa theatre event of the year.  You've got your ticket, right?

On top of moderating English media communications and live tweeting throughout the event (follow along with the #rideauawards hashtag - conversation is currently about what to wear - I'm going to be very disappointed if @SterlingLynch doesn't follow through on his assless chaps outfit), I will also be appearing with Sanitas Playback Theatre.  Normally, I would be performing with the group, however with my focus split that night, we've come to a different arrangement, albeit one that I find fits better with this year's co-lingual awards mandate.

The theatre company and I have decided that I will be co-conducting the event with Artistic Director Brie Barker and acting as a French translator throughout our segments.  It is silly to assume that all francophones in attendance are fluently bilingual.  In addition, many anglophones do not speak French and would require the interpretation.  It will be nice to finally showcase what we've been doing for the past few months and I think Playback will add an interesting touch to the awards.  I'm really excited to be introducing this "new" form of theatre to my peers.

I can't wait to see you there, but before then, the question on everyone's mind really is: what will you be wearing?

Can You Keep A Secret?

Apparently, some people think a girl with a blog and an unhealthy addiction to her iPhone social media programs is the best person to entrust with the most TOP SECRET news in Ottawa Theatredom. Yes, ladies and gentlemen, somewhere among the hanging out on movies sets (with Cuba Gooding Jr!), working at the Great Canadian Theatre Company (season launch on Monday!), learning to rap Shakespeare, making women feel beautiful, discovering hidden abilities to translate small documents from English to French, watching some "bloody" good theatre (check out a solid production of Blood Relations at the University of Ottawa before it closes this weekend, as well as the musical Blood Brothers at The Gladstone), working on my own theatre company's project, performing improv with some lovely ladies, and training for a 5K race; somewhere among all that, I became the new anglophone publicist for the upcoming Les Prix Rideau Awards.

(Of course, all of this must have happened after I discovered that necklace from Harry Potter that allows Hermione to attend to classes at the same time, because there is nothing short of wizardry to explain how I manage to do all this stuff...)

After learning that Über Publicist, Crystal Parsons would be leaving the wonderful world of theatre promotion for the civil service, I was approached by the awards committee to see if I could fill her sexy shoes.

My first answer, of course, was no. Re: see above schedule & need for a clone/develop magical powers.

However, after much discussion, I eventually said yes for the following reasons:

• The workload isn't as excessive as I first anticipated.  There is no need for me to translate documents for these bilingual awards, since there already is a francophone publicist, and I'd be doing a lot of stuff from a social media perspective that I'm doing already.
• This could all wait until I was done my stand-in gig.
• Being able to say that I'm the publicist for Ottawa's professional theatre awards is a pretty big deal and adds another notch of legitimacy to my marketing belt.
• With the GCTC holding a whopping 16 nominations, I can make a lot of what I'll be doing relevant to the day job.
• I think the awards are important and I want to support them in some way.  This is more than just a big party where people dress up to watch somebody get an award.  By recognizing the contribution of theatre professionals in the community, we are raising awareness of our work and acknowledging that there is a a place what we do here in town.  My dream? That one day, when I tell someone I am a professional actor, they will not ask me when I will be moving to Montreal or Toronto because it will simply be common knowledge that such a scene exists here as well.

All that to say that I will now be only one of three people to know the award winner's identities before they are revealed on April 18th because I need to have the press release handy for media as soon as the ceremony is over.  (Note to self: find dress that coordinates well with handcuffs and a briefcase *insert your own joke here*)  And this confidentiality agreement I signed says that no amount of bribing can make me reveal the secrets before then.

But have no fear!  You too may know the results as soon as they become available.  Tickets are on sale now!  Details below (this also reminds me that I will be performing in my first public Sanitas Playback Theatre show that night as well... where the heck is my clone?):

The 3rd Annual Les Prix Rideau Awards celebration is taking place at De La Salle High School (501 Old St Patrick Road, Ottawa) on Sunday, April 18, 2010.  The first-ever fully bilingual awards ceremony will be cohosted by CBC Ottawa’s Alan Neal and not-from-CBC-Ottawa's Annie Lefebvre, with theatrical reflections by Sanitas Playback Theatre and music by DJ AL Connors.

Tickets are $25 each and may be purchased through the Nouvelle Scène box office:

• online at nouvellescene.com
• by telephone at 613-241-2727 ext 1
• in person at 333 King Edward Avenue, Ottawa

Les Prix Rideau Awards III -- Sunday, April 18, 2010 De La Salle High School, 501 Old St Patrick Road, Ottawa Doors open at 6:30 PM; presentation begins at 7:30 PM - Tickets: $25

Rideau Awards Nominations

From the Official Press Release: NOMINEES ANNOUNCED FOR THE THIRD ANNUAL RIDEAU AWARDS Peer-assessed awards celebrate Ottawa-Gatineauʼs professional theatre in both official languages

The votes have been tallied and it's time to announce the nominees for the third annual Rideau Awards, which celebrate achievement in professional theatre in the region of Ottawa-Gatineau. This year for the first time, Les Prix Rideau Awards will be fully bilingual, with a full slate of awards to be presented for both English and French-language productions. The awards will be handed out during a celebration to take place on Sunday, April 18, 2010, at De La Salle High School. Tickets go on sale March 15 at La Nouvelle Scène.

The nominees for English-language productions are: Outstanding Performance – Female Mary Ellis, Doubt Patricia Fagan, The Syringa Tree Teri Rata Loretto, Shirley Valentine Margo MacDonald, A Midwinterʼs Dream Tale Emily Pearlman, Countries Shaped Like Stars

Outstanding Performance – Male Pierre Brault, Portrait of an Unidentified Man David Fox, The Net Kris Joseph, Doubt Andy Massingham, Peer Gynt Paul Rainville, The Drawer Boy

Outstanding Lighting Design Martin Conboy, Portrait of an Unidentified Man Martin Conboy, The Drawer Boy Rebecca Miller, Henry V David Mcgladry, A Midwinterʼs Dream Tale Jock Munro, The Children's Republic Jock Munro, The Syringa Tree

Outstanding Set Design Robin Fisher, The Drawer Boy Robin Fisher, The Syringa Tree Ivo Valentik, A Midwinterʼs Dream Tale Ivo Valentik, The Final Twist Sarah Waghorn, Old Times

Outstanding Costume Design Louise Hayden, A Midwinterʼs Dream Tale Louise Hayden, The Girl Who Was Eaten by the Dark Jennifer Triemstra & Karen Rodd, A Guy Named Joe Sarah Waghorn, Henry V Sarah Waghorn, Old Times

Outstanding Stage Management / Technical Award Donna Bourgeault, A View from the Bridge Sean Green & Tina Goralski, Noises Off Louisa Hache, The Children's Republic Samira Rose, The Lieutenant of Inishmore

Outstanding Fringe Production Countries Shaped Like Stars, Mi Casa The Girl Who Was Eaten by the Dark, Ottawa Stilt Union Inclement Weather, Mi Casa Squatter Heart, ReduxDelux We Never Clothed, People with Principles

Outstanding Director AL Connors, A Midwinterʼs Dream Tale Todd Duckworth, The Drawer Boy Janet Irwin, The Children's Republic Lise Ann Johnson, The Syringa Tree Brian Quirt, Portrait of an Unidentified Man

Emerging Artist Award Simon Bradshaw, Actor, The Rideau Project Nicolas Di Gaetano, Creator/Actor, Countries Shaped Like Stars Patrick Gauthier, Director, Countries Shaped Like Stars Brad Long, Actor, The Pillowman Emily Pearlman, Creator/Actor/Writer, Countries Shaped Like Stars

Outstanding Adaptation A Midwinterʼs Dream Tale, A Company of Fools Much Ado About Nothing, A Company of Fools The Net, Great Canadian Theatre Company Pirate Jennyʼs Circus, Counterpoint Players The Radio Show, Gladstone Productions Outstanding New Creation The Children's Republic, Great Canadian Theatre Company/Ottawa School of Speech and Drama Countries Shaped Like Stars, Mi Casa The Girl Who Was Eaten by the Dark, Ottawa Stilt Union Inclement Weather, Mi Casa The Rideau Project, Théâtre la Catapulte

Outstanding Production Countries Shaped Like Stars, Mi Casa The Drawer Boy, Great Canadian Theatre Company A Midwinterʼs Dream Tale, A Company of Fools Portrait of an Unidentified Man, Sleeping Dog Theatre The Syringa Tree, Great Canadian Theatre Company

The nominees for French-language productions are:

Interprétation féminine de l'année Nathaly Charrette, (RAGE) Larissa Corriveau, (L'Illusion comique) Geneviève Couture, (L'honnête homme/ une one woman show) Magali Lemèle, (Le Bout du monde) Emmanuelle Lussier, Martinez (Le Bout du monde) Interprétation masculine de l'année Benjamin Gaillard, (Projet Rideau) Richard Léger, (Et si on tuait l'ennui?) Gilles Provost, (Mardis avec Morrie) Pierre Antoine, Lafon Simard (L'Illusion comique) Victor Trelles, (RAGE)

Conception de l'année Marcel Aymar, (Le Bout du monde), env. sonore Josée Bergeron-Proulx, (Le Bout du monde), décor Diane Bouchard, (L'effet réel des polluants sur les animaux imaginaries), marionnettes Julie Giroux, (Les sept jours de Simon Labrosse), décor Guillaume Houët- Brisebois, (L'honnête homme/ une one woman show), éclairage

Artiste en émergence Josée Bergeron-Proulx, (Le Bout du monde) Emmanuelle Lussier Martinez , interprète, (Le Bout du monde) Pierre Antoine Lafon Simard, interprète, (L'Illusion comique)

Prix technique / de la regie Tina Goralski, (L'Illusion comique) Guillaume Houët- Brisebois, (L'honnête homme/ une one woman show) Benoît Roy, (Le Bout du monde) Lindsay Tremblay, (Le Projet Rideau)

Mise en scène de l'année Joël Beddows (RAGE) Dominique Lafon (L'Illusion comique) Marc Lemyre (L'honnête homme/ une one woman show) Pier Rodier (Cyrano Tag) Anne-Marie White (Le Bout du monde)

Adaptation de l'année Le Bout du monde, Le Théâtre du Trillium Cyrano Tag, Vox Théâtre

Nouvelle création de l'année Cyrano Tag, Vox Théâtre L'effet réel des polluants sur les animaux imaginaires, GESTES théâtre Et si on tuait l'ennui?, Théâtre Dérives Urbaines L'honnête homme/ une one woman show, poésie électrique Le Projet Rideau, Théâtre la Catapulte

Production de l'année Le Bout du monde, Théâtre du Trillium Et si on tuait l'ennui?, Théâtre Dérives Urbaines L'honnête homme/ une one woman show, poésie électrique Le Projet Rideau, Théâtre la Catapulte RAGE, Théâtre la Catapulte

40 English and 11 French professional theatre productions were juried by two teams of local arts professionals (14 English and 10 French) during the 2009 calendar year. Nominations were submitted by secret ballot and tallied by local accountants, Chong Pelot and Marcil-Lavallée. Complete details on award definitions, terms and criteria are available at www.rideauawards.ca

Les Prix Rideau Awards initiative was undertaken in late 2006 as a result of discussion at an open meeting of the regional Canadian Actorsʼ Equity Association. The program aims to raise the profile of locally-produced professional theatre by celebrating its successes.

Enjoying Theatre on a Budget

It bothers me when actors tell me they don't go to the theatre. Excuse me? What? How can you not go to the theatre? How can you consider yourself an actor in this town and not know what the local companies are producing? Or who the key people involved are? Or who your competition might be? Often actors and crew go for drinks post-show, which then becomes a valuable opportunity to network, socialize and find out what the next big project coming to town might be.

"But Nancy, going to the theatre is expensive!" I hear you clamour. "Ah! But it does not have to be," is my reply.

As many of you know, I see almost every bit of theatre that comes to Ottawa. Out of 45 professional productions juried by Les Prix Rideau Awards in 2009, I've seen 40. that's not including the community theatre, Fringe, Magnetic North and student productions I've seen. I think last year I probably saw over 100 theatre performances. That averages out to 2 a week, which sounds about right.

This may come as a shock to you, but I am not the type to sit around in my tub with my bath pillow eating bonbons and drinking wine as I use my laptop to peruse the "next big theatrical event" I will be attending (though that's probably because using your laptop in a tub is just asking for trouble). Nor do I have an ample supply of disposable income which I use on $20 to $40 theatre tickets. No. I am a poor broke artist who just wanted to know everything there was to know about my local theatre community and I figured out the cheapest way to do it.

So, dear friends, this is how you too can enjoy your theatre on a budget.

Are you a student? TAKE ADVANTAGE OF IT! Both the National Arts Centre, the Great Canadian Theatre Company and Third Wall Theatre in Ottawa have rush tickets for students that go for something like $10 or $11 a piece if you purchase your tickets the day of the performance. Not ideal if it's a show like The Drowsy Chaperone, which sold out rather quickly, but trust me, there are a lot of performances in town that do not sell out and you would be more than happy to see your smiling face walking to the door for your rush ticket.

Of course, the tricky thing here is that most of these companies do not clearly advertise their rush ticket availabilities, which I can understand to a point. So how can you find out about them? Well, you could just call and ask. Then again, why would you do that when you have me?

I almost never took advantage of my student status when I had a valid student card and it still bothers me to this day. Think of all the great shows I missed... As an added bonus, the GCTC also has ADULT Rush Tickets for $20. No i.d. necessary, just show up after noon on any show day to get your discounted ticket.

Are You An Artist? Well, since this blog is loosely geared towards actors and other artists, I'm going to go with yes, you probably are. A lot of companies like the NAC, GCTC, Third Wall, Evolution Theatre offer artist rates. How do you prove you're an artist? Usually with your union card. That said, if you are not in any performers union, I believe they will all accept two contrasting monologues at the box office... but don't quote me on that.

Volunteer! Every theatre company in town needs volunteers and it does come with benefits. In most cases, volunteers actually get to see the show on the night of their shift. I know this is the case for Evolution Theatre and it sometimes works out for other companies like The Gladstone and A Company of Fools (unless they happen to need all their volunteers for a secret ice cream experiment...) I wanted to see the amazing Inclement Weather/Countries Shaped Like Stars again when it was presented at the GCTC, but couldn't afford the $20. I offered my services on opening night and boom! I got to fall in love all over again.

The added bonus of volunteering means you get to know the people involved with the production. Today's front of house volunteer may be tomorrow's performer... or at least that's what I keep telling myself.

Join Mailing Lists, Facebook Groups and watch Twitter Feeds How else will you know what shows are playing in town? (Other than the brilliantly up-to-date What’s On – À l’affiche listing by the Ottawa Theatre Network) Lots of theatre companies (perhaps taking a page from my book) run online contests and special promotions for their members. Vision Theatre, Evolution Theatre and Third Wall Theatre have all been known to do this. The Ottawa Fringe Festival ran a brilliant Friday Trivia contest on Twitter where you could win free tickets and other gift certificates. A Company of Fools also sends out a very informed newsletter every once in a while, so you probably want to sign up for that one too.

Pay Attention to Pay-What-You-Can! Every single company in town has a Pay-What-You-Can performance at some point in their run (and if they don't, they probably should). For instance, when I did Shining City with SevenThirty Productions, we had a PWYC matinee on the first Saturday in the run. During the summer, the Fools shows are by Pass The Hat donations. PWYC/PTH means whatever you can afford. Really, you have absolutely no excuse not to go. And how do you find out about the PWYC? See the point above this one.

Previews and Dress Rehearsals These shows are often free or cheap and take place before the official opening night. Sure you might not be getting a final polished performance, but when is a performance ever final? Besides, you're doing the theatre company a great service by being part of the test audience.

Know Somebody Finally, if not a single one of these suggestions works for you, call someone you know who might be involved with the production. (See, this is where all the networking you've been doing after attending performances is going to pay off.) Let whomever know that you can't afford to see their show but you really want to. Perhaps they will be able to offer you a comp or a discounted ticket. That said, only use this method if you really can't make it to the show otherwise. You do not want to abuse of this privilege! It's just not nice.

Or be friends with someone who happens to get a lot of invitations to shows (you know, like me). Typically these people get two free tickets to a performance and they might not have anyone to go with that night (because they happen to be single and can't meet anyone new because they spend all their time attending the theatre by themselves... ahem) I'm sure I they would be happy to have some company with which to discuss the performance post-show. Just make sure you buy me them a drink after. It's only fair.

....

What? This still isn't working for you? Alright. Fine. Here's my final solution: start your own theatre company, build it from the ground up over at least five years, somewhere in there start a blog, become a valued and indispensable part of your city's theatre scene, and watch the invitations pour in. It worked for me, but it's a lot of work. You might just want to pay the $10 instead.

I'll be seeing you at the theatre!

Join the Evolution!

For those of you who may not know, I am a founding member, as well as the Director of Communications for an independent theatre company in Ottawa named Evolution Theatre. This past week, we have finally launched our new website, which I encourage to visit frequently, as content is constantly being updated: www.evolutiontheatre.ca This past year has proven to be very fruitful for us. We have been honored with multiple award nominations through the Rideau Awards, the Capital Critics Circle, the Golden Cherries and the Ottawa Xpress. Our production of Daniel MacIvor’s This Is A Play sold out its run at the Ottawa Fringe Festival and was remounted as part of an evening of one-acts, in which we collaborated with two other local, independent companies. CBC Radio’s Alvina Ruprecht favourably reviewed our productions and called us “an important contribution to the professional theatre scene in Ottawa.”

We were also thrilled to be chosen as one of the companies to receive Production Mentorship under the tutelage of the Great Canadian Theatre Company. This mentorship program will gives us the opportunity to produce the Canadian premiere of Mark Ravenhill’s pool (no water) in the Irving Greenberg Theatre Centre’s studio space in May of 2009 (Tickets on sale now!), as well as increasing our skills in various administrative areas of the Theatre. We are at an exciting stage in our development as a professional theatre company in Ottawa.

This past December, our company finally became recognized as a registered charity. As you can imagine, this was very joyous news indeed. pool (no water) is our most ambitious and expensive endeavor yet. We have applied for grants through the various levels of government, but have yet to receive any funding. With projected funding cuts all around to the arts, this then leaves us with the option of soliciting sponsors and donations from individual patrons and businesses.

We need your help. Currently, we’re trying to raise $5000. A donation as small as $25 can help us cover up to 3 hours of rehearsal space in city owned community centres; $100 buys costumes or set pieces; $2000 covers our technical time and staff in the theatre.

If you can’t afford to give, how about volunteering some of your time? Those interested should send an email with which areas of the theatre they are interested in working in to volunteer@evolutiontheatre.ca

If you would like additional information on the company and our upcoming productions, I encourage you to visit our brand new website, once again, at www.evolutiontheatre.ca. Online donations may be made by clicking the "Donate Now" button. A list of giving categories and rewards will be included on the site soon, but if you would like to know more now, please do not hesitate to contact me directly via email: comm@evolutiontheatre.ca

Thank you for your support!

Nancy