Christel Bartelse

My Last Day at the Toronto Fringe

So I didn't blog as much as I had hoped too, but that's because I ended up being much busier than I could have possibly anticipated. I think my time in Toronto is exactly what I needed.  I saw some fabulous shows and a few duds - 16 shows in total.  I didn't get to see everything I had wanted to, obviously, but I did see a lot.  Highlights included Chris Craddock's Public Speaking, Morro and Jasp: Gone Wild!, Christel Bartelse's ONEymoon & The Shakespeare Show. I got to audit an acting class with my favorite teacher.  I spent time with friends I hadn't seen in a very long time, made some new connections, and learned all about another fringe festival happening in Canada. But best of all, I got my inspiration back.  I feel refreshed and ready to work harder than before.

Tomorrow, I'm back at the Great Canadian Theatre Company for another two weeks, I'm working for Odyssey Theatre, I've received some excellent news about Evolution Theatre, and I'm back to creating my own work.

I can't wait to see what comes up next!

Nancy's MUST SEE List at the 2010 Toronto Fringe

I'm currently in between shows in Morrisburg.  With two performances left, I'm fighting the blues by focusing on the trip I'm going on tomorrow to the Toronto Fringe Festival.  I'm itching to get my hands on a program, but until I do, here's a list of shows I would like to catch while I'm down there. In the spirit of my past Must-See lists, I probably have not seen these shows already and can't comment on them directly, but each one comes with it's own pedigree as to why I want to catch them.  I've seen enough Fringe now in the past 8 years that you can probably count on what I'm putting down here, but if that's not enough, fellow performer Alex Eddington's list has a lot of overlap with mine.

I won't be linking to each individual show description, but the whole list can be found here.

First up: The Ones I Missed in Ottawa!

Although I was able to see 15 shows at the Ottawa Fringe Festival, there wasn't enough time to see everything I wanted.  Here are some of the shows with great buzz that I'm planning to catch in Toronto.  We had two Best of Venue winners in the Duck Wife and Dale Beaner and the Turtle Boy.  There was also the absolutely stunning Lindsay Sutherland Boal's Purely Cabaret and Jonno Katz's Cactus: The Seduction.  I also heard really great things about Phone Whore, but I plan to catch her in Calgary.  If you're not going to be in any other Fringe cities, then I highly suggest you see her now.  I really want to see MAL.  Rachelle Elie's concept really interests me.  Oh and although it's not the same show, I really think it's about time I saw something by Barry Smith.  This time he's got Me, My Stuff, and I: a Multimedia Comedy.

The Ones I've Already Seen

Having been a fringe patron for so long, there's bound to be stuff that I've already seen at various other festivals.  Here's what I know is bound to be good.  Rob Gee's Fruitcake is a hit wherever he goes and I remember enjoying Raven for a Lark (though be warned it's not exactly a comedy) when I saw it in Ottawa last year.

The Ones from my Favourite Non-Fringe Festival

I met them at the Big Comedy Go-To in London (ON) last year and so I'm looking forward to Jimmy Hogg and Christel Bartelse's Wisdom: Part One & ONEymoon.  Same goes for Rob Salerno with Big in Germany (who's got the very awesome Mikeala Dyke working behind the scenes).  Morro was flying solo at the time in what I had dubbed "the bravest and funniest piece of theatre I'd seen in a long time" so I'm excited to see her again with her partner in Morro and Jasp GONE WILD.  Oh and the Go-To also first introduced me to the amazing work of the Cody Rivers duo (gosh, the Go-To is quite the festival now, isn't it?) and one of it's members wrote Poison the Well, which stars the fantastic Elison Zasko (who was one of my Fringe Crushes in Ottawa this year.  That talent! That style! That accent!)

Everything Else that Is Probably Going to Rock my World

Speaking of rocking my world, Die Roten Punke is back with Die Roten Punkte: KUNST ROCK (ART ROCK). I don't know what it's about, but I want more of this:

[youtube=http://www.youtube.com/watch?v=M-003rK1vt8]

Monster Theatre has a soft spot in my heart for the Canada Show from many moons ago and I think they win the prize for longest Fringe play title ever with The Shakespeare Show: Or, how an illiterate son of a Glover became the Greatest Playwright in the World.

Can you believe with all my years doing Fringe, I have yet to see something by the "undisputed" Gods of Fringe like TJ Dawe and Keir Cutler?  It might be time for me to correct that with Lucky 9 and Teaching Shakespeare respectively.

Some of the guys from Uncalled For are involved with Dance Animal & You & Me and Me & You (this last one includes Kirsten Rasmussen who is one of the funniest improvisers I have ever seen).

Oh and remember BASH'd? Well the guy who created that, Chris Craddock, has got a new show called PUBLIC SPEAKING.  It's been getting A LOT of advance buzz in every article about the Fringe I read and I just hope it isn't sold out before I get a chance to see it.

So that's abou 20 shows in one week and doesn't include everything else I will hear about once I'm on location.  I can't guarantee I'll get to see it all - Toronto Fringe has yet to consider me a VIP like it's Ottawa counterpart has and money is tight now that my contracts are ending - but I will try my best.

What are you going to see?

So You Think You're Funny?

After a terrible drive through construction, past accidents and the Toronto rush hour parking lot, that took 8 hours instead of the usual 6 and a half, I finally made it to London late enough to miss the first evening performance of The Big Comedy Go-To by Jimmy Hogg. The second show of the evening was The Canuck Cabaret with Paul Hutcheson and Sharon Nowlan. Now, I’ve spoken of my love for Paul before. He’s an amazing storyteller and an incredibly charming performer. He’s also one of the funniest people I’ve ever seen, so I was excited for this new bit. I had never met Sharon before but chatting with her at the bar afterward we had one of those “How have we never met before since we know so many of the same people” kind of conversations.

The show really did not disappoint. It was exactly what it said it would be: a cabaret filled with musical numbers, stories, dance, and even an incredibly brilliant and moving light show by Sharon. If someone saw the show and knows what those things she was using are called, please let me know below!

My only critique is that I would like to have seen them do more bits together. They started off strong with a hilarious opening musical number; Paul told new stories similar to what he does in his one man shows; Sharon did an amazing silent piece with a doll on her shoulder and her right arm as they danced and flirted together to some Sinatra (you really have to see this to believe it, I can't describe it well enough - it was incredible!); some individual stories about Canada; light show; and Paul closed everything on a 3 minute reenactment of Dirty Dancing that made me want to go watch the movie. Though funny the movie bit felt kind of anti-climactic. Perhaps a closing number together would tie things up nicely?

After that, we headed to the Black Shire Pub for THE BIG ONE! A stand-up cabaret where most of this weekend’s performers were going to be participating. I grabbed myself a good seat near the front and I was thrilled when I realized the first person up would be ELVIS! And he threw another scarf at MEEEEEEEEE!!! OMG! OMG! OMG! SQUEEEEEEEEEEEEEEEEE!

*ahem*

I’m sorry. Where was I?

Oh yeah, the stand-up.

Throughout the evening, many of the performers asked why I wasn’t participating. To be honest, I didn’t really see myself in the same league as these people. Most of them have toured extensively with their own material and regularly do things like stand-up, improv and sketch. Me? I feel like I’m just a novice. And I’ve only recently begun to feel, after seeing the crowd at the Airport Security screening bust a gut at my on-screen antics, that I am even that funny.

But watching my friend Cristel Bartelse up there bravely testing out some hilarious new material from her upcoming Fringe show (coming to a London Fringe near you!) did a little voice inside my head go: “Hey. I can do that.”

Maybe it was the beer talking. It could very well have been the beer talking, but watching performer after performer go up there, the voice got louder. Suddenly, I started getting this nagging feeling that I HAD to go up there. If I didn’t, I would regret it. Maybe not today, maybe not tomorrow, but someday. Soon. And for the rest of my life. I turned to Christel and spoke out loud: “I have to go up there.” Her smile was wide and encouraging. “Do it!”

I walked over to producer Jayson McDonald. I had no idea what I was doing. I had no material planned but still I asked: “Do you have room?” He sent me over to the host with an urgent “If you want to do it, do it now.”

The host, Kristian Reimer looked amused by my request. I still didn’t know what I was going to say. Then I caught the current performer talking about vampires and the Twillight phenomenon. Bingo! I had my opening bit. “I have to go up now.” Ian MacIntyre from Approximately 3 Peters was wrapping up his set. “Ok,” Kristian said, “you’re up.”

I think I threw up in my mouth a little.

I was announced, there was music, I made my way up to the stage and set my beer down on a stool like every professional comic I’d ever seen.

Taking my cue from the previous set, I started: “I think vampire slaying would be a very difficult career move.”

There’s a chuckle. I’m awkward but in a completely adorkable way.

“I mean, I don’t know if you’ve ever tried to stab someone in the chest before…”

Guffaw!

Guffaw, really? Someone guffawed? And I was off!

I talked some more vampire slaying and Dustbusters and ideal careers and Princess Leia and my new found obsession with the King. It was surprisingly easy to flow from topic to topic. It was like writing a blog post, but out loud.

I finished on a good note. People clapped and some more funny people took to the stage, bringing down the house. It was a grand evening. I got a lot of really great comments and feedback throughout the night from people I absolutely adore and respect. For my first attempt at any kind of stand-up, it was not bad. Not bad at all.

Today’s the last day of the festival (already?) and I’m now off to enjoy as much as I can. There’s still time for you to check out a free panel discussion with some of the performers, a show by Uncalled For (my former billets who won Best Ensemble with this one at the Ottawa Fringe), a sketch comedy triple bill, an improve triple bill and finally an IMPROV CAGE MATCH!

For all the details, check out The Big Comedy Go-To website.